 |  |  | What's new is old again: managing color in the age of digital photography.
 There's
no doubt that digital photography has made a wide-reaching and positive
impact on the business of creating printed and electronic
communications. Using digital photography can certainly save time and
money, but at the same time there remain some "old fashioned" steps in
the process—primarily found in the proofing stage—that should not be
eliminated just because we're shooting digitally.
With
traditional film-based photography, we would review film transparencies
and have our printers create random proofs, which would afford us time
to resolve any color management issues early on. This is the critical
step that is often cut from the process now that most photography is
shot digitally. The reasoning seems to be that the digital images we're
seeing on-screen will be the same that we'll get on-press—but this is
no more the case than it was when we shot on film.
The bottom
line? We should accept digital photography as an asset to our efforts,
but at the same time understand that digital has not replaced the process of color management in printed pieces:- Just
as traditional film is processed to achieve the effects desired by the
photographer, digital images also require the correction of shadows,
mid-tones and highlights.
- Our projects' schedules
should always include the step of getting early random proofs from the
printer so that photography can be reviewed, and then corrected and
proofed again if necessary.
- Retouching should never
be performed purely based on what we see on-screen. Randoms from the
printer provide the best possible depiction of what the final printed
piece will look like.
Thanks for reading.
Matt Weichel Senior Designer Bradley Brown Design Group |  |
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